Mahzor

New York Public Library

Churches

Sarajevo Haggadah

Mah Nishtanah

Sarajevo haggadah

Antaea Darom

Israeli women's art

Action

Torah as music

Ben Heine

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ceramic bowl

Mohammad Said Kalash, "Offering Reconciliation" exhibit (photo: Ilan Amihai)

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Punch and Judy/Pinchas and Jamila

Avi Katz

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David Grossman

Ben Heine

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Eldrige Street shul

Lower East Side

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Dove

Ben Heine

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Two birds

Hoda Jamal

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Israeli and Palestinian boys

from documentary, Promises

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Cat in the Hat

Yiddish version

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Daylight through the Wall

Banksy: graffiti art on Separation Wall

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Maurice Sendak's Brundibar set

New Victory Theater (photo: Nan Melville/NYT)

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Daniel Barenboim, West-Eastern Divan Orchestra

Palestinian-Israeli musical ensemble (photo: Kerstin Joensson/AP)

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Great Day on Eldrige Street

N.Y.'s klezmer greats celebrate shul rededication (photo: Leo Sorel)

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Joint Appeal for Peace

(Avi Katz)

Joint Appeal for Peace

Ketubah, Ancona, Italy (1772)

(Jewish Theological Seminary library)

Ancona ketubah

Archive for the ‘Film-TV-Media’ Category

Jewish Forward Attack on Penn BDS Neglects Iarael Lobby’s Restraint on Free Press

Tuesday, February 7th, 2012

This past week, Penn students held a three day conference on the BDS movement. The conference had been preceded by coverage from the local Jewish community pro-Israel newspaper and the Penn student newspaper which was not only antagonistic and unbalanced, but specifically, a professor penned an op Ed accusing BDS supporters of being “kapos.”

Not surprisingly, the BDS event organizers were a tad sensitive about who would be reporting from these media outlets. They ultimately decided to refuse access to the event for the Exponent’s reporter and a far-right pro-Israel filmmaker. Personally, I think they made a mistake. I would’ve negotiated with the Exponent for an op ed by a Penn faculty member who supported BDS in return for allowing a hostile reporter to have access. If the newspaper refused, then let them slam BDS while you point out how unfair they were in refusing to allow you to present your point of view in the newspaper.

It should e noted that The Exponent’s former editor, Jonathan Tobin, now graces the editorial masthead at Commentary. So the Exponent is certainly no exemplar of diversity on the question of coverage related to Israel or BDS.

Jane Eisner, the Forward’s managing editor decided to pile on, writing an editorial criticizing the decision to bar the reporter, as an infringement on free speech. This is wrong for all sorts of reasons. One, because the pro-Israel media has a monopoly on access to the mainstream community through it’s media outlets. That means that they present their slanted version of BDS to their readers without allowing the BDS movement to portray itself in their pages. If anyone is repressing free speech and the diversity of debate it is the Exponent and Forward.

But even more important is the fact that the Israel Lobby routinely restricts media access to reporters it doesn’t like at events they host. Aipac provided press credentials to The Guardian’s Chris McGreal to cover it’s 2007 national conference. When McGreal arrived to pick up his credentials and registration packet, he was not only denied access, but Josh Block, Aipac’s then PR capo di tutti, had the reporter frog-marched out of the hall escorted by security guards. I reported this story in my blog at the time and in the Guardian’s Comment is Free. But The Forward never took up the matter. Somehow, when the BDS movement stifles the press it’s newsworthy, but when Josh Block and Aipac do it they get a pass.

Further, if Jane Eisner wants to talk about freedom of speech in the media, she should look in the mirror. I, for example am blackballed from appearing there. How do I know? Let’s just say a little birdie told me. My crime? Criticizing The Forward’s decision to take Republican Jewish Coalition ads in 2008 which accused Barack Obama of being racist. You see some journalists can be very thin skinned about criticism. Which is ironic because those same editors refuse to allow activists to be equally thin-skinned about critical coverage.

Mao, who himself didn’t brook much dissent, said “let a thousand flowers bloom.”. Why can’t we in the Jewish community do at least as well?

Israeli Film Depicts Iranian First-Strike Nuke Attack on Israel

Tuesday, January 31st, 2012


The Israeli power of delusion is evident in this short film called, The Last Day, which purports to film the last moments of an Israeli family before Iran drops a nuclear bomb on Israel and obliterates it. The film, created by Ronen Barany, is shot in faux-documentary style with lots of shots of Israelis in extremis including suitably shaky, off kilter camera angles proclaiming it a product of ersatz cinema verite.

While the computer enhanced graphics showing massive explosions in the Israeli hillside may shock Israelis used to viewing a relatively tranquil landscape, the boom-boom screams out “computer enhancement.” If this were still photography critics would call it a photoshopped reality. We’ll have to come up with another name for an altered reality via video.

It should go without saying (but I’ll say it nevertheless), that the film is even more interesting for what it leaves out than what it includes. It presumes a backstory which the viewer fills in (hence the power of effective propaganda) of a hegemonic power-mad Iran hell-bent on getting nukes and using them on its bitterest foe, Israel. The poor Israeli shlumps in this movie are of course the collateral damage of Iranian megalomania. They’re innocent victims. No reference to any role Israel itself may’ve played in this conflict. Israel is doing nothing but defending itself from pure evil.

This film is a perfect example of how an entire people can be anesthetized and transported into an altered state of reality that shows them to be innocent lambs led to the slaughter; when in fact they are just as much agents of their own destiny as their enemies are.

The fact that this film is pimped by a RP rep for 5W PR, Ronn Torossian’s agency (who also pimps the Clarion Fund anti-Muslim films along with porn stars and has been charged with extorting millions of dollars from the followers of an Israeli Sephardic wonder rabbi) tells you reams about the film’s subtext.

Popular Culture Exposes Racism That Enables Israeli War Fever

Tuesday, January 17th, 2012

When a nation goes to war, there are all sorts of motivations, policy deliberations, and cultural attitudes that contribute to such a decision.  Popular culture offers a window into a nation’s consciousness.  It shows how a country can be conditioned to anticipate, accept and even endorse a war.  An Israeli reader sent a link to this TV commercial for the Israeli cable provider, HOT.  The general pitch is that if you buy a particular set of HOT services you win a free tablet PC.  The setting is a beat-up bus in which a group of Israeli slackers, possibly freelance agents, sit around playing guitar and doing nothing in particular.  This is a reference to a popular Israeli TV show, Asfour, portraying a group of Israeli low-lifes who live in an abandoned bus.

Thanks to Dena Shunra for offering a translation of the dialogue.  There are a few snippets that are in Arabic or just hard to figure out.  If any Israeli readers can complete the picture, let me know:

[Khaki camouflage packet/jacket falls from above]

What, are we getting ready for Rajuan?

No, it’s Shin, Isfahan.

[Caption title:] Isfahan, Iran. Near the nuclear reactor.

[Same group approaches dressed as Iranian women]

I bet they don’t even get Asfour [Israeli TV show] in this hole.

It’s G_d’s own fright!

Yeah, where will we find a kosher kitchen?

Maybe we’ll run into the family of [prominent Israeli-Iranian singer] Rita.

[One dabs sunscreen on face as others look on in shock.]

What do you want? Do you have any idea how much radiation there is around here?

[One member of the group nods in direction of man sitting at a table.  They approach him.]

Slacker: Is that you from the Mossad?

Mossadnik: Shhhhh.

Slacker: Whaddaya mean shhhh?  There’s no shame in it.  We were also in an institution [mossad can mean the intelligence agency or a mental institution] for a while.

Tell me, ShuShu [Mossadnik] – did you bring us all the way here?

Mossadnik: I’ve been going through two months of stake-outs. It’s deathly boring [literally: boring like missiles] I watch a few episodes on my tablet; reactor or no reactor, I don’t miss an episode of Asfour.

Slacker: Whoa, cool, a tablet. You’re pampered there in the Mossad.

Mossadnik: [Sarcastically] Yeah, right. It’s from HOT. My wife did a triple deal with HOT and all the programs for free.

Slacker: Are you kidding us?

Mossadnik: We even got the HOT VOD app and all the programs – as a gift.

Slacker: Hey, what’s that application? [Reaches for the tablet and clicks app icon]

Whoa-whoa-whoa

[Boom--explosion]

Slacker: What do you want? Just another mysterious explosion in Iran.

[Next scene: the crew sits laughing and joking with Mossadnik enjoying the tablet.  One smashes a bug and says:]

Yuck, a Khomeini [Hebrew colloquialism for "scarab"--Iranians get up to see what he's talking about.  Israelis react fearfully to exposure.]

There’s always a fine line between political parody and racism.  It’s often hard to say where one bleeds into another.  But the humor of this commercial exposes the moral anaesthesia Israelis undergo, which allows them to be isolated from the impact of the acts of their military and intelligence forces in the region.  Instead of a conscious act of sabotage, a bumbling Israeli intelligence agent clicks a button on a tablet application and–Oops!–there goes another Iranian nuclear facility.  More Keystone Cops than Mossad cloak and dagger.

At the conclusion, another Israeli swats and kills an insect pest called a Khomeini.  The irony of the term and racial hostility inherent in it is self-evident.  Yet another marker for the anti-Muslim hate afflicting contemporary Israel.  Yes, a nation has to laugh at itself especially in times of tension.  But laughter of the sort in this commercial doesn’t encourage thought or introspection.  It doesn’t probe reality.  It allows Israelis to sink back in their economic largess, to luxuriate in the consumer options (like HOT cable service) available to them, while the harmless bumblers of the Mossad go around blowing up Iranian nuclear plants almost by accident.

It all ends with a nudge-nudge, wink-wink that would be fitting for a Monty Python routine, except the Pythons would’ve been savaging cultural norms instead of laughing about them.  Israelis, unfortunately, don’t have that distance from the crimes done in their name.

IDF Arrests Jenin Freedom Theater Actor, Audience Now Awaits Godot…and Pozzo

Sunday, August 7th, 2011
rami hwayel

Rami Hwayel, arrested Freedom Theater actor playing Pozo in Waiting for Godot (Freedom Theater)

The Jenin Freedom Theater, whose founder Juliano Mer-Khamis was murdered several months ago, is about to perform Waiting for Godot under famed Israeli director and human rights activist, Udi Aloni.  But after arrest of one of the production’s leading actors, it will now be waiting for Pozzo as well.  Over the past week, the IDF has arrested the Theater’s manager, the board chair, and now one of its young actors.  Today’s arrest of 20 year-old Rami Awni Hwayel at a West Bank checkpoint, indicates that Israeli authorities are less interested in finding Mer-Khamis’ killer/s than they are in destroying the Theater itself.

The Theater released this statement:

Today at approximately 15:00 hrs one of the third-year graduating students at The Freedom Theatre was taken by the Israeli army at the Shave Shomeron checkpoint between the Palestinian cities, Jenin and Nablus. The student’s name is Rami Awni Hwayel, age 20. He was travelling from Ramallah to Jenin together with his fellow students.

Batool Taleb, one of the female acting students who was in the car with Rami describes what happened: “When they got to our car, they took all our IDs and when they saw Rami’s ID they told him to get out of the car.  Once he was out they immediately handcuffed and blindfolded him and put him in the army jeep.”

The students had been rehearsing for their final graduation project directed by the Israeli-American Director Udi Aloni in Ramallah.

“This is devastating.  Rami is playing the main role in ‘Waiting for Godot’ and doing an amazing job, he’s so dedicated to the work. He just left rehearsals today for the weekend to see his family for Ramadan.

It’s terrible, we want our Pozzo back!”, says Udi Aloni.

Rami is the third member of The Freedom Theatre taken by the Israeli army recently. On the 27th of July at 3:00AM the Head Technician, Adnan Naghnaghiye and the Chairperson, Bilal Saadi, were captured by a large group of Israeli soldiers.

The consequences of these actions only result in more damage to The Freedom Theatre. The theatre once again calls on its friends and supporters around the world to act in order to stop this outrageous harassment by the Israeli army against a cultural establishment.

When I heard of the arrests last week, I didn’t know what to think.  But I presumed that they might have something to do with finding Mer-Khamis’ killer.  But with the arrest of the leading actor of the ensemble’s current production it’s becoming clearer that there is no urgency or even interest on the Israeli side in solving the crime.  This is no longer a homicide investigation if it ever was one.  It has become a campaign of sabotage against the fierce artistic resistance to Occupation represented by Mer-Khamis and his Theater.

In fact, one has to begin to wonder whether given the army’s interest in undermining everything the Theater represents, that his murder might have been commissioned or approved by the Shabak.  To those who scoff at this notion I say: much stranger things have happened.  To this I also add, that authorities who seek to solve a murder do not harass the victims of the crime, as the IDF is doing.  They only do this if they believe the victims themselves are calling too much attention to the inadequacy of the police or the investigation; or that they stand in the way of the army’s maintenance of Occupation itself.

When I heard that Mer-Khamis’ nanny, who witnessed the killing, had been whisked to Israel in order to protect her from the alleged Palestinian killers, I felt some comfort that she was being protected.  But now this news becomes more ominous.  What if Israel had spirited her out of the country to their jurisdiction to influence her testimony against those it sought to railroad for the crime?  If you doubt this possibility then you simply know very little about the Shabak and how it operates.

Add to all this, that the IDF has placed the news of Hwayel’s arrest under strict gag and Israeli media may not report it.  This has to be the worst kept gag order in Israeli history as Israeli journalists and activists have been posting Facebook updates and tweeting about it for hours.

The world must demand of the IDF: what are you doing and why are you doing it?  Solve the crime and if you can’t do that–hands off the Freedom Theater.  FREE Rami Hwayel!  Find the telephone number of the nearest Israeli consulate or embassy and call them demanding Rami’s freedom.  It’s bad enough that Freedom Theater will never see Godot in this production.  Let them at least see their Pozzo.

Further Adventures of Omer Gershon and the Flotilla Haters

Tuesday, June 28th, 2011

I usually don’t go slumming through the darker passages of the demimonde, as I’ve passed what Shakespeare called my “salad days.”  But Omer Gershon, you forced me to.  I swear this guy is amazing.  He’s been called an actor and a marketer, which gives him far too much credit.  What he really appears to be is a slightly degenerate club promoter and hypster who dabbles in this that and the other just tryin’ to make ends meet.  How he got mixed up in an Israeli government plan to smear the Flotilla with a hoax video is anybody’s guess.  My wild guess is that Guy Seeman, a U.S. born intern in Bibi’s office who first tweeted the Gaza video, met these hooligans in some Tel Aviv club and the rest is history.

The Lede published an update on Gershon by Dina Kraft and you couldn’t make this stuff up if you tried:

Dina Kraft, a freelance journalist who has contributed to The Times, writes from Israel to point out that she has interviewed Omer Gershon in the past and tried to call him on Tuesday, but was unable to reach him. Ms. Kraft interviewed Mr. Gershon in September, 2009, as part of her research for this Times article about Tel Aviv. At the time, he was helping to run a popular nightclub in the city called Zippy Trippo.

In that article, Ms. Kraft pointed to Zippy Trippo as an example of “Tel Aviv’s ability to reinvent itself.” The underground club, she explained, had been just one year earlier, “a listening post for the Shin Bet, Israel’s internal security service, dubbed by its workers as the Facility.”

Dena Shunra corrects this report (and thanks for her research as well), noting the correct name of the club as “Zizi Trippo” (but Zippy Trippo has a nice ring to it).  The club’s former life as a Shabak spy nest has so many delicious satiric possibilities.  Like perhaps they made the hoax video in the club and uploaded it to the web on Shabak equipment.  From there it went viral on the government computer network and was picked up by Guy Seeman, working as an intern in the PM’s office.  Who knows?  If you’ve got a satiric theory why don’t you add it to the comment thread.  The sky’s the limit.

By the way, if you read Hebrew and want to read a hilarious send-up of the video which skewers all its obvious fakeries, go enjoy.  The post at the Cold Fusion blog has the brilliantly awful title: In the Next Hasbara Video: “Linda,” “British” “Activist” from Holon, will be Raped at the Hands of “Arabs” from “Biliin,” Which is in Netanya.

Now on to Omer Gershon’s next unbelievable adventure.  He and his video pal, Elad Magdasi produced this entirely degernate video on behalf of Puma shoes which, in addition to selling shoes, posits the questionable theory that jumping on a mattress while wearing Puma shoes leads inexorably to lesbian sex, twosomes, threesomes and God knows what else.  I feature the video here solely for sociological research purposes to witness the depravity of the Tel Aviv club scene, or at least some of its less palatable figures.  And you don’t need to know any Hebrew to watch it because there is none.  This is sheer naked merchandising in the most perverse, disgusting manner.

Finally, Mr. Gershon has the distinction of having helped produced another video for AIDS Israel which markets itself in the following way:

…It is a viral campaign, “to have the whole country infected.”

I guess when you take as many drugs as these people appear to be taking something like that appears to be funny.  Or maybe I’m just an old fogie who appreciates out of date values like candidness, truthfulness, and transparency.

Emmylou Harris Tribute to Kate McGarrigle, ‘Darlin’ Kate’

Friday, June 3rd, 2011


mcgarrigle tribute concert

Tribute to Kate McGarrigle with Emmylou Harris and Kate's family (Richard Termine)



And now for something completely different.  My I-P junkie friends ( I say that lovingly!) will hopefully bear with me as I delve into one of my passions, one which has been stilled over the past few years by all the murder and mayhem in the Middle East.  I know friends and enemies sometimes remark on my intemperateness in the comment threads here.  So I thought it might be the right time to divert from the usual political fare and delve into different territory, where edges aren’t as hard and there can be more grace.

From the time I was a teenager and my dad took me to see Pete Seeger perform in high school auditoriums throughout the Hudson River Valley, I’ve adored traditional music.  Somewhere about the time I was in college I discovered the McGarrigle Sisters and I had the privilege of interviewing Kate for the article I wrote about them for the Encyclopedia of Blues and Folk some years ago.

With great sorrow, I learned that Kate had succumbed to her battle with cancer a year ago.  A month ago, Emmylou Harris joined with the Kate’s sister, Anna and their children Rufus and Martha for an memorial tribute at Carnegie Hall.  I don’t live in New York anymore and its only unique cultural milestones like this that make me regret that.

But here we have the next best thing.  Emmylou penned a gorgeous tribute to Kate on her new album, Hard Bargain.  The song is called Darlin’ Kate (hear it), and what can I say–it brought tears to my eyes, as perhaps it will bring tears to yours.  Emmylou performed on the McGarrigles wonderful song, Goin’ Back to Harlan.  And clearly, from the lyrics you can tell that Kate was the love of Emmylou’s life, or at least one of ‘em.

This song represents the greatness of the human spirit and the triumphal power of music to enter spiritual realms. The lyrics are so perfect, so pure that I offer them to you in full here:

So it’s finally come, you have left this world
But we’ll miss our Kate, our darling girl
We held your head, kissed your lovely brow
And bid farewell, you’re sailing now

Free from the pain, you lay that burden down
But you’re strong and giving heart
Would surely be your crown

As you slip the surly bonds of earth and sailed way
Perhaps we will meet again somehow, someday
Until then, there’s nothing we can do but wait
To see once more, our darling Kate

All those nights we sang, talked ’till the sun come up
You fed our souls, you filled our cup
With your perfect words and all that voice
We fell in love, we had no choice

And I can’t say for sure where you have gone
But in that place, I’m betting there’s a better song
We’ve all known down here, taste of joy and strife
You were the sweetest note in the chord of life

Now you slipped the surly bonds of earth and sailed way
Perhaps we will meet again somehow, someday
But if there was one name I could consecrate
It would be yours, it would be Kate

Gaza Doctor Whose Family IDF Killed During Cast Lead on National Speaking Tour

Saturday, January 15th, 2011

Dr. Izzeldin Abuelaish Interview.

Dr. Izzeldin Abuelaish, whose wife and three daughers were killed by an Israeli tank shell during Operation Cast Lead, is in the midst of a national speaking tour (see list for cities and dates) and promoting a new book he’s written on his life and the lessons he’s learned from the tragedy.  Though 1,400 were killed in Gaza, the doctor’s suffering was especially keenly felt as he had been a correspondent for Israeli TV reporting regularly on the assault.  Just as the TV news anchor called him, the shell hit and you can hear the wailing of Dr. Abuelaish as he realizes what’s happened.  It is some of the most heart-rending footage you will ever see or hear.  Subsequently, his story was told around the world including extensively in this blog and in the NY Times.

As a result, the doctor, who had been a gynecology specialist at an Israeli hospital and beloved by patients and staff there alike, left Gaza and moved to Toronto, where’s he raises the three other daughters who survived the attack.  The tank unit which massacred Dr. Abuelaish’s family has received no discipline of any kind.

He will be speaking at Seattle’s Town Hall on Wednesday, January 19th at 7:30PM.  He will also speak on Steve Scher’s KUOW show at 10AM on January 17th. If you live in the Pacific NW I urge you to hear a truly remarkable man, someone who has suffered enormously, but who manages to project a vision of peace that remains possible for these two peoples who have caused each other such pain.

His new book is I Shall Not Hate and is reported in this Guardian story.  If it’s half as extraordinary as the example this man has set, it is must reading.  Dr. Abuelaish’s tour began in Los Angeles on January 12th and will take him to a score of U.S. cities by April 1st.  If you have a chance see him it’s a wonderful opportunity.

Pimping the Settlement Brand

Saturday, November 27th, 2010


A West Bank regional development council has produced a slick promo for settlement tourism which earnestly flogs the Occupation brand.  The film, Harvest Time, is being screened regularly at a new $1-million visitor center established at the Psagot Winery.  The plot involves a ragingly successful Israeli businessman, Yonatan, sent by his boss to London to close a big deal.  Instead of doing as he was told, he receives a call informing him that his father was wounded [presumably in a terror attack] and is in the hospital requiring a major operation.  This will prevent dad from leading the wine harvest at the family vineyard.  This news turns Yonatan away from affairs of the world and toward affairs of family and the heart…that is, his deep attachment to the family winery.  He can’t possibly let it go under.

Bolstering his fidelity to family is a Biblical fantasia interlude, in which characters from the Bible come to life as shepherds walking the hills of Judea once more.  What can trump the call to fidelity to one’s family, one’s people and one’s land?  Nothing.

Here’s the narration that acccompanies the Bibilical fantasy:

Look around you.  Every hill is part of history.  Every stone has a story.

A Biblical shepherd dressed in ancient headress and with flock quotes Jeremiah to Yonatan telling him he must return to this land.  As the sky darkens and ominous music swells on the soundtrack, Yonatan confusedly turns as if seeking his fate.  In the next scene, Yonatan has visions of an ancient Israelite battle as flaming arrows hurtle toward him.

The narrator continues as if speaking to the hero:

You’ll see, someday the children of Israel will return to these lands [piano music swells and camera pans on Israeli flag fluttering over a settlement panorama, and then shows toddlers, wearing kippah naturally, playing at a playground].

This is where you grew up. This is part of what you are, of who you are. We are here. [Don't look for it] anywhere [else]. And you, where are YOU going?

It’s impressive in a slick, sleazy sort of way.  It presents the settlements in the sort of romantic way they were envisioned just after the 1967 war: as elements of a quest for Jewish history and identity; as part of a fulfillment of the Zionist dream.  What the film omits of course is all the horrendous history between 1967-2010: the theft, killings, religious hatred.  The whole bloody mess.  I can’t think of an Israeli film (or any film really) I’ve seen in a long time that is as ahistorical and fraudulent as this one.  If Im Tirzu had it in them (they don’t) to create a slick promotional video, this is what they would make.

The winery owner spoke about his agenda in creating the work:

The film deals with questions of identity and is an attempt to connect our visitors with the history of this place as the navel of the land of the Jews.  We want people watching the film to understand that we are not ranting people murmuring prayers all day.  But rather people more or less like them who work for their living.

This neglects the fact that the overwhelming majority of settlers do not work the land like Yonatan supposedly does, but rather commute to the same type of job that Yonatan does in Tel Aviv or Jerusalem.  The settlements are not a agricultural idyll resonating of the Biblical era.  They are rather extended suburbs of Israel’s major cities.  Nothing more, nothing less.

The lead actor in this nonsense is Liron Levo (Kippur by Amos Gitai, 9/11, Munich) about whose politics I know very little.  But you can see from the following disingenuousness that he’s a bit dense (and deliberately so) about what exactly the settlement enterprise is and how it impacts Israel as a nation:

Levo sees no political message in the film whatsoever.  ”I am an actor.  And when someone shows me a good script and provides interesting people to work with, I go for it.  And so it was in this situation.  From my perspective the plot could take place in the settlements, Shiloh or Gaza.  The main thing was to create a wonderful film and give viewers something to think about.  For me personally, there isn’t a single work about politics.  And I don’t exploit anything I create to make a political statement.

“Also, I don’t see this as a promotional film for a region.  From my perspective, they should screen it everywhere in the world.  My goal is to provoke dialogue and thought, as have other films I’ve done.  I’m an actor, not a politician.”

The only person who should be doing more thinking about this film is Levo himself as he seems not to understand that he’s pimping the settlement brand.

We have an Israeli company called Compugraphic to thank for this drivel.  I don’t see them bragging yet about this on their client list, but I do see other old friends like Elbit, PAKAR, and Rafael, some of Israel’s chief armaments companies.

Thanks to Dena Shunra for translation of the script.

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