Muslim and Jewish Women in Nazareth

'We can live in peace'...John Lennon (photo: Dafna Tal)

Mahzor

Mahzor

New York Public Library

Churches

Sarajevo Haggadah

Mah Nishtanah

Sarajevo haggadah

Antaea Darom

Israeli women's art

Action

Torah as music

Ben Heine

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ceramic bowl

Mohammad Said Kalash, "Offering Reconciliation" exhibit (photo: Ilan Amihai)

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Punch and Judy/Pinchas and Jamila

Avi Katz

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David Grossman

Ben Heine

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Eldrige Street shul

Lower East Side

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Dove

Ben Heine

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Two birds

Hoda Jamal

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Israeli and Palestinian boys

from documentary, Promises

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Cat in the Hat

Yiddish version

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Daylight through the Wall

Banksy: graffiti art on Separation Wall

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Maurice Sendak's Brundibar set

New Victory Theater (photo: Nan Melville/NYT)

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Daniel Barenboim, West-Eastern Divan Orchestra

Palestinian-Israeli musical ensemble (photo: Kerstin Joensson/AP)

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Great Day on Eldrige Street

N.Y.'s klezmer greats celebrate shul rededication (photo: Leo Sorel)

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Ali Farka Toure & Toumani Diabate: In the Heart of the Moon

Sep 6th, 2005 by Richard Silverstein | 1

Ali Farka Toure has produced yet another recording of consummate musical mastery in In the Heart of the Moon. This time his musical collaborator is the master kora player, Toumani Diabate. They are extraordinary partners in this venture. For a musical sample, give a listen to Hawa Dolo.
In the Heart of the Moon

Toure previously recorded another classic with Ry Cooder, the Grammy-winning Talking Timbuktu, which seemed to be an extended meditation on the interconnectedness of west African music and American Blues. Though it was a bolder and slightly more dynamic recording than In the Heart, the latter is a beautiful and mesmerizing meditation on ethnic and regional diversity within Malian music. Toure himself reflects on this aspect of their project in an interview at Fly.co.uk:

ali farka toure-toumani diabate in concertAli Farka Toure & Toumani Diabate at the Barbican, June 2005 (credit: Damian Rafferty)

“I am Arma and Toumani is a Griot. I am from the Songrai/Peul culture in the north and he is a Mandé from the south. It’s rare that musicians meet like this from different traditions. But there is something that unites us and it is art and culture, which have no borders,” says Ali Farka Touré of this pairing.

Damian Rafferty, has captured the magic of In the Heart in his review in Fly.co.uk:

From the first few, sharply beautiful notes of this exquisite pairing, it is already clear that this album will be one of the key records of the year. Ali Farka Touré’s guitar and Toumani Diabaté’s Kora emit a phenomenal series of notes that interlock with each other like two intricate cogs in some otherworldly machine

The thing that really takes your breath away about this recording is the wonderful complexity of the playing rendered beautiful by the clean, crisp sound of each musician and the almost supernatural empathy between the two artists as they spontaneously explore the traditional material in clever and often joyful ways. To catch each other as they go further and further from the base tune requires more than trust, in this case it is faith that holds the whole thing together. “Musically,” Ali tells Toumani, “you go where you want when you want and come back when you want to come back. I’ll stay fixed. I won’t go anywhere.”

Also, at Fly.co.uk, Lydia Martin managed to track Toure down in his native Mali and record an interview with him about the new work.

One Comment on “Ali Farka Toure & Toumani Diabate: In the Heart of the Moon”


  1. sevrin said:

    Please, i loocking for toumani diabaté site ou E-mail adres. Can you help me? Thank you

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