Mahzor

New York Public Library

Churches

Sarajevo Haggadah

Mah Nishtanah

Sarajevo haggadah

Antaea Darom

Israeli women's art

Action

Torah as music

Ben Heine

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ceramic bowl

Mohammad Said Kalash, "Offering Reconciliation" exhibit (photo: Ilan Amihai)

Action

Punch and Judy/Pinchas and Jamila

Avi Katz

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David Grossman

Ben Heine

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Eldrige Street shul

Lower East Side

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Dove

Ben Heine

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Two birds

Hoda Jamal

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Israeli and Palestinian boys

from documentary, Promises

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Cat in the Hat

Yiddish version

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Daylight through the Wall

Banksy: graffiti art on Separation Wall

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Maurice Sendak's Brundibar set

New Victory Theater (photo: Nan Melville/NYT)

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Daniel Barenboim, West-Eastern Divan Orchestra

Palestinian-Israeli musical ensemble (photo: Kerstin Joensson/AP)

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Great Day on Eldrige Street

N.Y.'s klezmer greats celebrate shul rededication (photo: Leo Sorel)

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Joint Appeal for Peace

(Avi Katz)

Joint Appeal for Peace

Ketubah, Ancona, Italy (1772)

(Jewish Theological Seminary library)

Ancona ketubah

Archive for the ‘Film-TV-Media’ Category

Gaza Doctor Whose Family IDF Killed During Cast Lead on National Speaking Tour

Saturday, January 15th, 2011

Dr. Izzeldin Abuelaish Interview.

Dr. Izzeldin Abuelaish, whose wife and three daughers were killed by an Israeli tank shell during Operation Cast Lead, is in the midst of a national speaking tour (see list for cities and dates) and promoting a new book he’s written on his life and the lessons he’s learned from the tragedy.  Though 1,400 were killed in Gaza, the doctor’s suffering was especially keenly felt as he had been a correspondent for Israeli TV reporting regularly on the assault.  Just as the TV news anchor called him, the shell hit and you can hear the wailing of Dr. Abuelaish as he realizes what’s happened.  It is some of the most heart-rending footage you will ever see or hear.  Subsequently, his story was told around the world including extensively in this blog and in the NY Times.

As a result, the doctor, who had been a gynecology specialist at an Israeli hospital and beloved by patients and staff there alike, left Gaza and moved to Toronto, where’s he raises the three other daughters who survived the attack.  The tank unit which massacred Dr. Abuelaish’s family has received no discipline of any kind.

He will be speaking at Seattle’s Town Hall on Wednesday, January 19th at 7:30PM.  He will also speak on Steve Scher’s KUOW show at 10AM on January 17th. If you live in the Pacific NW I urge you to hear a truly remarkable man, someone who has suffered enormously, but who manages to project a vision of peace that remains possible for these two peoples who have caused each other such pain.

His new book is I Shall Not Hate and is reported in this Guardian story.  If it’s half as extraordinary as the example this man has set, it is must reading.  Dr. Abuelaish’s tour began in Los Angeles on January 12th and will take him to a score of U.S. cities by April 1st.  If you have a chance see him it’s a wonderful opportunity.

Pimping the Settlement Brand

Saturday, November 27th, 2010


A West Bank regional development council has produced a slick promo for settlement tourism which earnestly flogs the Occupation brand.  The film, Harvest Time, is being screened regularly at a new $1-million visitor center established at the Psagot Winery.  The plot involves a ragingly successful Israeli businessman, Yonatan, sent by his boss to London to close a big deal.  Instead of doing as he was told, he receives a call informing him that his father was wounded [presumably in a terror attack] and is in the hospital requiring a major operation.  This will prevent dad from leading the wine harvest at the family vineyard.  This news turns Yonatan away from affairs of the world and toward affairs of family and the heart…that is, his deep attachment to the family winery.  He can’t possibly let it go under.

Bolstering his fidelity to family is a Biblical fantasia interlude, in which characters from the Bible come to life as shepherds walking the hills of Judea once more.  What can trump the call to fidelity to one’s family, one’s people and one’s land?  Nothing.

Here’s the narration that acccompanies the Bibilical fantasy:

Look around you.  Every hill is part of history.  Every stone has a story.

A Biblical shepherd dressed in ancient headress and with flock quotes Jeremiah to Yonatan telling him he must return to this land.  As the sky darkens and ominous music swells on the soundtrack, Yonatan confusedly turns as if seeking his fate.  In the next scene, Yonatan has visions of an ancient Israelite battle as flaming arrows hurtle toward him.

The narrator continues as if speaking to the hero:

You’ll see, someday the children of Israel will return to these lands [piano music swells and camera pans on Israeli flag fluttering over a settlement panorama, and then shows toddlers, wearing kippah naturally, playing at a playground].

This is where you grew up. This is part of what you are, of who you are. We are here. [Don't look for it] anywhere [else]. And you, where are YOU going?

It’s impressive in a slick, sleazy sort of way.  It presents the settlements in the sort of romantic way they were envisioned just after the 1967 war: as elements of a quest for Jewish history and identity; as part of a fulfillment of the Zionist dream.  What the film omits of course is all the horrendous history between 1967-2010: the theft, killings, religious hatred.  The whole bloody mess.  I can’t think of an Israeli film (or any film really) I’ve seen in a long time that is as ahistorical and fraudulent as this one.  If Im Tirzu had it in them (they don’t) to create a slick promotional video, this is what they would make.

The winery owner spoke about his agenda in creating the work:

The film deals with questions of identity and is an attempt to connect our visitors with the history of this place as the navel of the land of the Jews.  We want people watching the film to understand that we are not ranting people murmuring prayers all day.  But rather people more or less like them who work for their living.

This neglects the fact that the overwhelming majority of settlers do not work the land like Yonatan supposedly does, but rather commute to the same type of job that Yonatan does in Tel Aviv or Jerusalem.  The settlements are not a agricultural idyll resonating of the Biblical era.  They are rather extended suburbs of Israel’s major cities.  Nothing more, nothing less.

The lead actor in this nonsense is Liron Levo (Kippur by Amos Gitai, 9/11, Munich) about whose politics I know very little.  But you can see from the following disingenuousness that he’s a bit dense (and deliberately so) about what exactly the settlement enterprise is and how it impacts Israel as a nation:

Levo sees no political message in the film whatsoever.  ”I am an actor.  And when someone shows me a good script and provides interesting people to work with, I go for it.  And so it was in this situation.  From my perspective the plot could take place in the settlements, Shiloh or Gaza.  The main thing was to create a wonderful film and give viewers something to think about.  For me personally, there isn’t a single work about politics.  And I don’t exploit anything I create to make a political statement.

“Also, I don’t see this as a promotional film for a region.  From my perspective, they should screen it everywhere in the world.  My goal is to provoke dialogue and thought, as have other films I’ve done.  I’m an actor, not a politician.”

The only person who should be doing more thinking about this film is Levo himself as he seems not to understand that he’s pimping the settlement brand.

We have an Israeli company called Compugraphic to thank for this drivel.  I don’t see them bragging yet about this on their client list, but I do see other old friends like Elbit, PAKAR, and Rafael, some of Israel’s chief armaments companies.

Thanks to Dena Shunra for translation of the script.

CNN’s Rick Sanchez: ‘White Liberal=Jew’

Friday, October 1st, 2010
rick sanchez hangs self

Rick Sanchez hangs self on air

In reading the melodrama of Rick Sanchez’ implosion in front of a national radio audience when he called Jon Stewart both a “white liberal,” “bigot,” and “Jew,” not necessarily in that order, I was reminded how racism is an equal opportunity employer.  Just because you’re a discriminated-against minority doesn’t mean that you too can’t be racist.  During a radio interview meant to plug his new book, Sanchez recounted his own history of being the victim of prejudice at the hands of a CNN boss who wouldn’t consider him as a news anchor.

Then he proved that despite suffering prejudice, he could dish it out as well:

Mr. Sanchez called Mr. Stewart a “bigot,” but later took the word back, calling the comedian “prejudicial” instead.

Prejudicial “against who?” Mr. Dominick asked.

Mr. Sanchez said, “Against anybody who doesn’t agree to his point of view, which is very much a white liberal establishment point of view.”

One of the co-hosts of the radio show brought up the fact that Mr. Stewart is a Jew, saying to Mr. Sanchez, he is a minority “as much as you are.”

Mr. Sanchez answered sarcastically, “Yeah. Yeah. Very powerless people.” He let out a high-pitched laugh.

Everybody that runs CNN is a lot like Stewart,” Mr. Sanchez said. “And a lot of people who run all the other networks are a lot like Stewart. And to imply that somehow they — the people in this country who are Jewish — are an oppressed minority? Yeah.”

Of course, what’s ironic about all this is that Sanchez had his many detractors at CNN, but one of his supporters was Jonathan Klein, undoubtedly one of those white-liberal-Jew-Jon Stewart types he so despises.  Contemporary society pits all minorities against each other in a dog-eat-dog world.  It’s divide and conquer so The Man ends up always winning.  So if Rick Sanchez doesn’t get his promotion it must be because of all those white liberal Jew CNN editors like Jon Stewart who disparage him because he’s Hispanic.

I know who will snatch up his contract: FoxNews.  That’s a marriage made in heaven–or Republican National Committee headquarters.

Israeli Museum Honors ‘We Con the World’ Anti-Arab Video

Tuesday, September 21st, 2010
leonid nevzlin

Leonid Nevzlin, International board of governors chair, Beit Ha-Tfutzot Museum

beit hatfutzot museum logoEvery so often even the strange place we call Israel produces a development so odd that you don’t know whether to laugh or cry.

Beit Hatfutzot is the respected Israeli museum devoted to the study of the Jewish Diaspora.  Every year, it holds the NADAV Peoplehood awards ceremony which this year will coincide with an annual meeting of the International Board of Governors.  The genius organizing this event decided that it would be a super idea to grant an award to Caroline Glick and her band of pro-settler goons for producing the “award-winning” Hasbara video, We Con the World (as I don’t want to promote the video directly, I’ll offer the link here so you can watch this garbage if you wish).  It was created by a far-right media advocacy group called LATMA, to mock the Gaza flotilla and paint the Turkish human rights activists aboard as pro-Hamas terrorists who deserved everything they got at the hands of IDF commandos.

If you’ll recall, the Israeli foreign ministry promoted the video as if it was an official government effort until it was pointed out to them, ahem, that it was not.

One has to wonder what’s gotten into the mind of those producing the Beit Ha-Tfutzot event that they would grant an award to such an example of pro-Israel political extremism.  Let’s also recall that this museum was the brainchild of seminal Israeli Zionist leader, Nahum Goldman.  Goldman was a powerful advocate of Israeli-Palestinian peace and a follower of the Brit Shalom movement.  He would be rolling in his grave to know that Carol Glick would be mounting a podium at his museum to receive such an honor.

Yaron London, a media personality generally associated with liberal Zionism, is listed as the master of ceremonies, and a co-honoree will be the Russell Berrie Foundation.  I wonder if they know what company they’ll be keeping?

The members of the International board of governors and board of directors of the Museum can be found here.  If you know any of these individuals you might want to inform them of the travesty which the Museum is perpetrating and the shame it faces for honoring such a piece of hate speech propaganda.

Hollywood, Broadway Stars Support Israeli Cultural Boycott

Sunday, September 5th, 2010
jvp hollywood broadway boycott supporters

Signatories of Hollywood-Broadway statement supporting Israeli artists

Last week, the newly inaugurated, multi-million dollar West Bank cultural center in Ariel announced that all Israel’s major drama companies would perform there in its new theater, marking the first time they ever crossed the Green Line for such performances.  The news raised a stir since Israel’s theater community is generally known for espousing liberal-left political views.  An even deeper irony is that one of the plays to be presented was Bertold Brecht’s The Caucasian Chalk Circle.

This news struck like a lightning bolt through Israel’s artistic community and within days over 50 Israeli actors, directors and producers had signed a letter saying they would refuse to perform in Ariel until there was an Israeli-Palestinian peace agreement.  The Israeli right protested that its settlements were an integral part of Eretz Yisrael and demanding that the government force the artists to perform or risk losing their government subsidies.  The signers have been roundly praised and booed on the Israeli stage.

mandy patinkin

Mandy Patinkin, signer of Broadway petition

Jewish Voice for Peace began to organize an American petition to support the Israeli artists.  Itamar Eichner wrote a premature and incomplete story in Yediot about this a few days ago.  Eichner, who several years ago falsely reported that Combatants for Peace’s then-national tour was being underwritten by Palestinian radicals, dutifully regurgitated the lines he was fed by the Los Angeles Israeli consul general about a bunch of airhead actors meddling in Israel’s internal affairs.  This seems to be an attempt to by Israel hasbara apparatus to let the air out of the campaign.  But it didn’t work.

Chaim Levinson, who broke the original Ariel theater story in Haaretz, has just published the first official and complete story.  Now it can be told.

Jewish Voice for Peace has organized what may be the first statement by Hollywood and Broadeway artists supporting an Israeli cultural boycott.  150 actors, playwrights, directors & producers signed a petition supporting Israel’s theater community, which announced that it would refuse to perform in Ariel.

Among the celebrities are Stephen Sondheim, Mandy Patinkin, Cynthia Nixon (Sex and the City), James Schamus (Ang Lee’s producer), Emily Mann (McCarter Theater), Eve Ensler (Vagina Monologues), Julianne Moore, Lynn Notage (Ruined), Bill Irwin, Kathleen Chalfant, Mira Nair, Oskar Eustis (Public Theater), Hal Prince (Broadway producer), Tony Kushner (Angels in America), Sheldon Harnick (Broadway lyricist), Ed Asner (Up), Theodore Bikel, Wallace Shawn, Miriam Margolyes, Ruth Reichl, and Vanessa Redgrave.

Their statement reads:

On August 27th, dozens of Israeli actors, directors, and playwrights made the brave decision not to perform in Ariel, one of the largest of the West Bank settlements, which by all standards of international law are clearly illegal.  As American actors, directors, critics and playwrights, we salute our Israeli counterparts for their courageous decision.

Most of us are involved in daily compromises with wrongful acts. When a group of people suddenly have the clarity of mind to see that the next compromise looming up before them is an unbearable one  — and when they somehow find the strength to refuse to cross that line  –  we can’t help but be overjoyed and inspired and grateful.

It’s thrilling to think that these Israeli theatre artists have refused to allow their work to be used to normalize a cruel occupation which they know to be wrong…and which is impeding the hope for a just and lasting peace for Israelis and Palestinians alike.  They’ve made a wonderful decision, and they deserve the respect of people everywhere who dream of justice. We stand with them.

Wallace Shawn had a typically incisive comment in an interview for Haaretz:

Wallace Shawn told Haaretz on Sunday that the Israeli artists’ refusal had touched him. They did something that could get them fired, and he found that inspiring, he said. Theater is the art of truth, and the Israeli artists are following their own truth, he said.

I support both the Israeli and American artists who are in solidarity with the peace movement and those opposed to the Occupation. I also have to say this is one of the most legitimate uses of the cultural boycott I’ve yet seen.

I wanted to return to Eichner’s story in Yediot, because it has a typically nasty underbelly worth noting.  Since Eichner wrote the smear of Breaking the Silence with the benefit of a source within the same consulate, it seems clear the same thing happened in this case.  Either through pro-Israel celebrities who dutifully reported in to the consulate, or through intelligence sources it has in the industry (you bet there are), the former discovered the JVP campaign.

Here are excerpts from the story:

Art in Service [to politics]

Yediot is reporting that leftist American Jewish groups have begun a petition by actors and celebrities in Hollywood and on Broadway in which they express their support for the Israeli actors…Jewish Voice for Peace turned to a group of actors and leaders in the film industry, seeking their support for a statement to be published in Israel and America.

…Several noted Hollywood actors turned to Israel consul general in Los Angeles, Yeki Dayan, seeking his counsel about whether to sign the statement.  ”Instead of getting involved in such matters it would be more helpful to support Israeli culture which needs such help.  They shouldn’t involve themselves in domestic Israeli politics.  What’s more, Ariel is within the Israeli consensus.”

In light of the campaign, the consultate turned to key members of the Hollywood entertainment industry asking them to persuade others not to sign.

It’s interesting to know that the consul general breaks out the same tired old finger-wagging  cliches in lecturing American artists about what their “proper” role should be in supporting Israel.  In other words, do what we tell you to do not what your conscience tells you to do because we know better than your conscience what is best for you and Israel.

The contention that Ariel is “within the Israeli consensus” is also highly debatable.  What Dayan means to say is that Ariel is talked about by many, especially on the right, as a community that Israel will retain in any peace agreement.  Therefore, he argues that it WILL BE within Israel so it shouldn’t be a controversial issue.  But the plain fact is that Ariel is a settlement, one of the largest in the West Bank.  It is illegal under international law.  Settlements whether in Ariel or elsewhere run contrary to U.S. policy which disdains them.  Further, there IS no peace agreement and until there is there is no consensus in Israel or elsewhere that Ariel is as much a part of Israel as Tel Aviv or Jerusalem.

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Israeli Concert Producer Claims Boycott=Cultural Terrorism

Wednesday, June 9th, 2010
shuki weiss

Shuki Weiss deplores cultural terrorism of Israeli boycott

I don’t know whether to pity or despise Shuki Weiss, Israeli concert promoter, who’s losing international stars to the Israeli boycott faster than he can replace them. The IDF’s conspicuous disregard for Arab life doesn’t seem to be helping his cause very much. But Weiss isn’t doing himself any favors by making statements such as this after the Pixies (and earlier Elvis Costello) withdrew from Israeli concert engagements due to the recent unpleasantness on the Gaza coast:

“I am full of both sorrow and pain in light of the fact that our repeated attempts to present quality acts and festivals in Israel have increasingly been falling victim to what I can only describe as a form of cultural terrorism which is targeting Israel and the arts worldwide.”

I’m not sure who’s the terrorist in this analogy: the artist or the dastardly activists who induce the artists to abandon Israel in her hour of cultural need.  Also, who else in the ‘arts worldwide’ is being targeted by this ‘cultural terrorism?’

Once you use the word “terrorist” in Israel it’s open season on the rhetorical victim.  So will we now start calling the supporters of BDS “terrorists” because they foment “cultural violence” on Israel?  Perhaps we’ll even start a new coinage like “cultural genocide.”  Yes, depriving Israelis of hearing Veronica and their favorite Black Francis songs certainly should qualify if Shuki had anything to say about it.

I have some advice for Shuki.  Stop complaining about cultural terrorism and start protesting the way your government is messing up the lives of its Arab neighbors.

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Israeli MK Demands Publication of Blau Story on Cast Lead Battle Plans

Wednesday, April 14th, 2010

One of the most contentious aspects of the Kamm-Blau case, which goes to the heart of why it is so dangerous for the IDF, is the article Blau wrote about the army’s battle plans for Operation Cast Lead. It passed the military censor and Haaretz planned to print it one week before the war/massacre began. The newspaper prepared the article, but then the censor had a change of heart, demanding that Haaretz withdraw the already printed edition. It did so.

Several days ago Israeli journalist Shraga Elam suggested that activists involved with this case should now demand publication of the offending article. I didn’t see any way Haaretz would jeopardize its tenuous legal situation by entertaining such a notion. While I put out feelers to Israelis to see if there might be a copy of the article lurking somewhere I got no takers.

Now, Jonathan Cook has added a new dimension to this story: an Israeli Palestinian MK has made such a demand:

Haneen Zoubi, an MP who previously headed an Israeli media-monitoring organisation, said it was “outrageous” that the suppressed report was still secret so long after the Gaza attack. She is to table a parliamentary question to Ehud Barak, the defence minister, today demanding to know why the army suppressed the article and what is preventing its publication now. Mr Barak must respond within 21 days.

She said publication of the article was important both because Israel had been widely criticised for killing many hundreds of civilians in its three-week assault on Gaza, and because subsequent reports suggested that Israeli commanders sought legal advice months before the operation to manipulate the accepted definitions of international law to make it easier to target civilians.“There must be at least a strong suspicion that Mr Blau’s article contains vital information, based on military documentation, warning of Israeli army intentions to commit war crimes,” she said in an interview.

“If so, then there is a public duty on Haaretz to publish the article. If not, then there is no reason for the minister to prevent publication after all this time.”

I wouldn’t have phrased it that way.  What Blau’s report might indicate is that the ferocity and indiscriminateness that were advocated in the war plans would convey a likelihood that war crimes could have occurred.

Cook also quotes a Tel Aviv university professor with a convincing argument about what especially frightened and provoked the IDF and Shin Bet about Blau’s unpublished manuscipt:

Amal Jamal, a professor at Tel Aviv University who teaches a media course to professional journalists, said he was concerned with the timing of the Shin Bet’s campaign against Mr Blau. He observed that they began interviewing the reporter about his sources and documents last summer as publication neared of the Goldstone report, commissioned by the United Nations and which embarrassed Israel by alleging it had perpetrated war crimes in Gaza.

“The goal in this case appears to be not only to intimidate journalists but also to delegitimise certain kinds of investigations concerning security issues, given the new climate of sensitivity in Israel following the Goldstone report.”

Given the massive investment of the government in demonizing both the Report and its author it would make perfect sense for officials to see Blau and by extension Kamm as leading aiders and abetters of the anti-Israel efforts of the UN and human rights campaigners throughout the world seeking accountability for IDF actions in Gaza. This is yet further proof that we must mount a redoubled defense of Kamm, Blau and Goldstone and the values for which they stand.  We need accountability and transparency in dealing with the aftermath of Cast Lead, not bellicosity, chest-thumping and threats (like the Shin Bet one to kidnap Blau and forcibly return him to Israel).

Cook also quotes Shraga discussing a so-called “third phase” of the Gaza operation which is rarely openly discussed by which the IDF would have occupied Gaza, expelled Hamas and organized mass expulsions of “undesirables” (some of this I have heard and some is based on Shraga’s comments).  This, if true, certainly would’ve taken the IDF into war crimes territory.

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Kamm-Blau Affair on Russia Today TV News

Wednesday, April 14th, 2010


I was interviewed for a segment on Russia Today TV about the Anat Kamm-Uri Blau affair.  This is a short version of a long story which ran on TV inside Russia.  My full interview is available in three segments here.

One of the things that’s interesting about the interviews is that the father of one of the Palestinians assassinated during Twin Towers says that 500 soldiers participated in the operation.  He notes that you don’t come to arrest someone with 500 soldiers.  Maan News Agency’s reporting notes that 30 military vehicles were involved.  An Israeli friends says this was a battalion-size undertaking.  He also emphasizes that no IDF action that is purely meant to detain someone involves something on this scale.  This would reinforce Blau’s claim that this was a targeted killing and not what the IDF and Attorney General have claimed.

I will be writing a more detailed post about this later today.

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