Muslim and Jewish Women in Nazareth

'We can live in peace'...John Lennon (photo: Dafna Tal)

Mahzor

Mahzor

New York Public Library

Churches

Sarajevo Haggadah

Mah Nishtanah

Sarajevo haggadah

Antaea Darom

Israeli women's art

Action

Torah as music

Ben Heine

Action

ceramic bowl

Mohammad Said Kalash, "Offering Reconciliation" exhibit (photo: Ilan Amihai)

Action

Punch and Judy/Pinchas and Jamila

Avi Katz

Action

David Grossman

Ben Heine

Action

Eldrige Street shul

Lower East Side

Action

Dove

Ben Heine

Action

Two birds

Hoda Jamal

Action

Israeli and Palestinian boys

from documentary, Promises

Action

Cat in the Hat

Yiddish version

Action

Daylight through the Wall

Banksy: graffiti art on Separation Wall

Action

Maurice Sendak's Brundibar set

New Victory Theater (photo: Nan Melville/NYT)

Action

Daniel Barenboim, West-Eastern Divan Orchestra

Palestinian-Israeli musical ensemble (photo: Kerstin Joensson/AP)

Action

Great Day on Eldrige Street

N.Y.'s klezmer greats celebrate shul rededication (photo: Leo Sorel)

Action

Joint Appeal for Peace

(Avi Katz)

Joint Appeal for Peace

Ketubah, Ancona, Italy (1772)

(Jewish Theological Seminary library)

Ancona ketubah

Palestinian-Israeli Conflict: Us vs. Them

Georff McFetridge, detail from 'In the Mind' (photo: Lis Charman)

Georff McFetridge, detail from 'In the Mind' (photo: Lis Charman)

I took the kids to the Olympic Sculpture Park and visited Geoff McFetridge’s graphic exhibition, In the Mind.  It is a cheeky, satiric view of social attitudes:

The…PACCAR Pavilion seems to perfectly suit McFetridge’s poster-based provocations. He treats the giant wall in the pavilion as an oversized bulletin board, complete with out-of-scale thumbtacks. The motifs and posters he developed for the space echo the concerns of many of the sculptures in the park, such as the relationship between man-made and natural forms, the interplay between two- and three-dimensional space, visual conundrums, and the arbitrariness of boundaries between different cultural practices.

I was struck by the Us-Them posters as a perfect encapsulation of Israeli and Palestinian attitudes toward each other.  The “Us” poster shows a people in all its diversity.  Every person and every detail is lovingly articulated.  We know who we are.  We appreciate us.  We are a family.

“Them” is a dark whole.  Nothing is distinguishable.  We know nothing about them and can know nothing about them.  They are impenetrable.  The perfect enemy.

As I said, a perfect emblem of the Israeli-Palestinian conflict.

Related posts:

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  2. Sabeel Seattle Conference: Media Panel on Covering Israeli-Palestinian Conflict
  3. Rabbis for Peace Urge ‘Going Biblical’ to Solve Israeli-Palestinian Conflict
  4. Israeli Border Police Videos Document Abuse of Palestinian Civilians
  5. Banning Palestinian Students from Israeli Universities

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2 Responses to “Palestinian-Israeli Conflict: Us vs. Them”

  1. LanceThruster says:

    I liked the piece you shared and your accompanying commentary.

  2. Lazynative says:

    Is this quite true though? For decades many Palestinians worked as cheap labour in Israel before mass immigration displaced their role, a generation of Palestinians grew up in and out of Israeli jails and consequently learned how to speak Hebrew – many Palestinians are bilingual speaking both Arabic and Hebrew. Palestinians also follow Israeli politics quite closely and have repeatedly indicated in surveys that the democratic (at least for Israeli Jews) nature of the Israeli state is the one facet they admire and want a future Palestinian state to emulate.

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