Muslim and Jewish Women in Nazareth

'We can live in peace'...John Lennon (photo: Dafna Tal)

Mahzor

Mahzor

New York Public Library

Churches

Sarajevo Haggadah

Mah Nishtanah

Sarajevo haggadah

Antaea Darom

Israeli women's art

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Torah as music

Ben Heine

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ceramic bowl

Mohammad Said Kalash, "Offering Reconciliation" exhibit (photo: Ilan Amihai)

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Punch and Judy/Pinchas and Jamila

Avi Katz

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David Grossman

Ben Heine

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Eldrige Street shul

Lower East Side

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Dove

Ben Heine

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Two birds

Hoda Jamal

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Israeli and Palestinian boys

from documentary, Promises

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Cat in the Hat

Yiddish version

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Daylight through the Wall

Banksy: graffiti art on Separation Wall

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Maurice Sendak's Brundibar set

New Victory Theater (photo: Nan Melville/NYT)

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Daniel Barenboim, West-Eastern Divan Orchestra

Palestinian-Israeli musical ensemble (photo: Kerstin Joensson/AP)

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Great Day on Eldrige Street

N.Y.'s klezmer greats celebrate shul rededication (photo: Leo Sorel)

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Rachel Tzvia Back’s ‘On Ruins and Return’

Jan 31st, 2008 by Richard Silverstein | 0

Rachel Tzvia Back’s On ruins and return
The Forward carries a review of what promises to be a wonderful collection of poetry by Israeli-American poet, Rachel Tzvia Back. Though I studied for a PhD in Hebrew literature until 1983, I haven’t kept up with new developments in the field and her work is unfamiliar to me. But after reading this review I long to hear her give a reading and read more of her work:

Many of the poems in “On Ruins & Return” have strong political implications — razed homes and wells, ambulances stopped at roadblocks, Arab families forced to stand outside in the cold night as soldiers in jeeps search their village — but a political agenda does not dominate. Back’s images of near-daily Israeli trauma during the height of the intifada — “mangled/metal blood flesh/to be scraped off the street/collected in sandwich bags”(“On the Ruins of Palestine”), “burnt out bus carcasses” (“A Dream”) and “mothers watching/soldiers on their knees/sifting and searching for body parts/do not think of next worlds/they think only of/lost worlds” (“Soldiers on Their Knees in the Sand”) — are searing, and unforgettable. Back’s words stem from a place in the heart that does not distinguish Palestinian from Israeli, but rather weeps for lost limbs, marred bodies and drops of blood, regardless of nationality…

The collection’s finest, most chilling pieces, “A Fable and a Nursery Rhyme” and “Their Sons, My Sons,” are companion poems of sorts, the first inspired by a Palestinian bombing of a Jewish school bus, the latter written after an Israeli bomb fell on an Arab strawberry field. Whatever your political affiliations, both poems — with visceral scenes of Back’s three children searching for the body parts of three children their own ages, and an Arab mother gathering in a head scarf her sons’ flesh among strawberries — will grab you in the gut.

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