Muslim and Jewish Women in Nazareth

'We can live in peace'...John Lennon (photo: Dafna Tal)

Mahzor

Mahzor

New York Public Library

Churches

Sarajevo Haggadah

Mah Nishtanah

Sarajevo haggadah

Antaea Darom

Israeli women's art

Action

Torah as music

Ben Heine

Action

ceramic bowl

Mohammad Said Kalash, "Offering Reconciliation" exhibit (photo: Ilan Amihai)

Action

Punch and Judy/Pinchas and Jamila

Avi Katz

Action

David Grossman

Ben Heine

Action

Eldrige Street shul

Lower East Side

Action

Dove

Ben Heine

Action

Two birds

Hoda Jamal

Action

Israeli and Palestinian boys

from documentary, Promises

Action

Cat in the Hat

Yiddish version

Action

Daylight through the Wall

Banksy: graffiti art on Separation Wall

Action

Maurice Sendak's Brundibar set

New Victory Theater (photo: Nan Melville/NYT)

Action

Daniel Barenboim, West-Eastern Divan Orchestra

Palestinian-Israeli musical ensemble (photo: Kerstin Joensson/AP)

Action

Great Day on Eldrige Street

N.Y.'s klezmer greats celebrate shul rededication (photo: Leo Sorel)

Action

Maureen Dowd’s Been Reading–and Lifting from–Billmon

Oct 24th, 2006 by Richard Silverstein | 0
sherrif in blazing saddlesBlazing Saddles: popular cultural-political reference this week

Maureen Dowd appears to have been reading–and lifting from–one of my favorite political bloggers, Billmon. Today’s column (subscription required alas):

It’s a hilarious spectacle of a whole party re-enacting the classic scene in Mel Brooks’s “Blazing Saddles,” in which the sheriff holds the gun to his own head to take himself hostage.

Compare this to Billmon (October 22nd):

The appropriate metaphor here is the scene from Blazing Saddles in which the new black sheriff, confronted by an angry mob of racially insensitive townfolk, grabs himself around the neck, points a pistol at his own head and yells: “Don’t make a move or the nigger gets it.” But, unlike the extras in Mel Brooks’s script, I don’t think the Maliki government is stupid enough to fall for it.

There’s a reason why they say the an original (Billmon) is always better than a copy. Yes, you might argue it was a total coincidence. But, while I loved Blazing Saddles and that scene in particular (in fact, I laughed uproariously when I read Billmon’s reference), I don’t think I’ve ever seen a reference to this scene in any newspaper or blog. That doesn’t mean that there aren’t any. Could very well be. But this strikes me as too much of a coincidence. Shall we just say that Dowd’s lifting of cultural references is the sincerest form of flattery?

Leave a Reply