Muslim and Jewish Women in Nazareth

'We can live in peace'...John Lennon (photo: Dafna Tal)

Mahzor

Mahzor

New York Public Library

Churches

Sarajevo Haggadah

Mah Nishtanah

Sarajevo haggadah

Antaea Darom

Israeli women's art

Action

Torah as music

Ben Heine

Action

ceramic bowl

Mohammad Said Kalash, "Offering Reconciliation" exhibit (photo: Ilan Amihai)

Action

Punch and Judy/Pinchas and Jamila

Avi Katz

Action

David Grossman

Ben Heine

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Eldrige Street shul

Lower East Side

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Dove

Ben Heine

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Two birds

Hoda Jamal

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Israeli and Palestinian boys

from documentary, Promises

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Cat in the Hat

Yiddish version

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Daylight through the Wall

Banksy: graffiti art on Separation Wall

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Maurice Sendak's Brundibar set

New Victory Theater (photo: Nan Melville/NYT)

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Daniel Barenboim, West-Eastern Divan Orchestra

Palestinian-Israeli musical ensemble (photo: Kerstin Joensson/AP)

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Great Day on Eldrige Street

N.Y.'s klezmer greats celebrate shul rededication (photo: Leo Sorel)

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Passover Music: ‘Baruch Hamakom,’ Dayeinu,’ and ‘Avadim Hayinu’

Apr 8th, 2006 by Richard Silverstein | 0
Hazin haggadah-avadim hayinuAvadim Hayinu from Hazin Haggadah (source: Richard McBee)

Tonight’s installment of Jewish music for Passover involves a shameless self-promotion. Way back when I was in graduate school at UC Berkeley in the early 1980s, my brother also happens to have been doing his PhD in chemistry at the same school. We then had the opportunity to form a Jewish music ensemble, Yasmine. We put out an audio cassette, Jewish Songs of Celebration and Struggle. As the title implies, it was a collection of politically-engaged music along with pieces from Jewish liturgy which we learned through our Jewish education.

We recorded a Pesach Suite (hear it) composed of three songs: Baruch HaMakom (“Blessed is the Place”– that is, God), Dayeinu, which expresses gratitude to God for the wonderful gifts he bestowed on the Jewish people (“If He had only given us the Torah that would have been enough”), and Avadim Hayinu, a passage from the Passover Haggadah (“We were slaves in Egypt and now we are free”). The first song is part of the Hallel, a service included in the seder and all major holiday liturgies. Dayeinu is one of those ever-popular seder songs with the terrific, joyful melody that almost everyone knows. Avadim Hayinu expresses one the central principles of the seder–that we were enslaved under the Egyptian pharaoh, but now we are free human beings whose responsibility is to celebrate our deliverance in great song and joy at the seder.

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