Mahzor

New York Public Library

Churches

Sarajevo Haggadah

Mah Nishtanah

Sarajevo haggadah

Antaea Darom

Israeli women's art

Action

Torah as music

Ben Heine

Action

ceramic bowl

Mohammad Said Kalash, "Offering Reconciliation" exhibit (photo: Ilan Amihai)

Action

Punch and Judy/Pinchas and Jamila

Avi Katz

Action

David Grossman

Ben Heine

Action

Eldrige Street shul

Lower East Side

Action

Dove

Ben Heine

Action

Two birds

Hoda Jamal

Action

Israeli and Palestinian boys

from documentary, Promises

Action

Cat in the Hat

Yiddish version

Action

Daylight through the Wall

Banksy: graffiti art on Separation Wall

Action

Maurice Sendak's Brundibar set

New Victory Theater (photo: Nan Melville/NYT)

Action

Daniel Barenboim, West-Eastern Divan Orchestra

Palestinian-Israeli musical ensemble (photo: Kerstin Joensson/AP)

Action

Great Day on Eldrige Street

N.Y.'s klezmer greats celebrate shul rededication (photo: Leo Sorel)

Action

Joint Appeal for Peace

(Avi Katz)

Joint Appeal for Peace

Ketubah, Ancona, Italy (1772)

(Jewish Theological Seminary library)

Ancona ketubah

Passover Music: ‘Baruch Hamakom,’ Dayeinu,’ and ‘Avadim Hayinu’

Hazin haggadah-avadim hayinuAvadim Hayinu from Hazin Haggadah (source: Richard McBee)

Tonight’s installment of Jewish music for Passover involves a shameless self-promotion. Way back when I was in graduate school at UC Berkeley in the early 1980s, my brother also happens to have been doing his PhD in chemistry at the same school. We then had the opportunity to form a Jewish music ensemble, Yasmine. We put out an audio cassette, Jewish Songs of Celebration and Struggle. As the title implies, it was a collection of politically-engaged music along with pieces from Jewish liturgy which we learned through our Jewish education.

We recorded a Pesach Suite (hear it) composed of three songs: Baruch HaMakom (“Blessed is the Place”– that is, God), Dayeinu, which expresses gratitude to God for the wonderful gifts he bestowed on the Jewish people (“If He had only given us the Torah that would have been enough”), and Avadim Hayinu, a passage from the Passover Haggadah (“We were slaves in Egypt and now we are free”). The first song is part of the Hallel, a service included in the seder and all major holiday liturgies. Dayeinu is one of those ever-popular seder songs with the terrific, joyful melody that almost everyone knows. Avadim Hayinu expresses one the central principles of the seder–that we were enslaved under the Egyptian pharaoh, but now we are free human beings whose responsibility is to celebrate our deliverance in great song and joy at the seder.

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One Response to “Passover Music: ‘Baruch Hamakom,’ Dayeinu,’ and ‘Avadim Hayinu’”

  1. mordechai Yitzchak says:

    Todah
    As the song leader I needed to hear a lively version of the song ‘Avadim Hyenu’
    shalom

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