Mahzor

New York Public Library

Churches

Sarajevo Haggadah

Mah Nishtanah

Sarajevo haggadah

Antaea Darom

Israeli women's art

Action

Torah as music

Ben Heine

Action

ceramic bowl

Mohammad Said Kalash, "Offering Reconciliation" exhibit (photo: Ilan Amihai)

Action

Punch and Judy/Pinchas and Jamila

Avi Katz

Action

David Grossman

Ben Heine

Action

Eldrige Street shul

Lower East Side

Action

Dove

Ben Heine

Action

Two birds

Hoda Jamal

Action

Israeli and Palestinian boys

from documentary, Promises

Action

Cat in the Hat

Yiddish version

Action

Daylight through the Wall

Banksy: graffiti art on Separation Wall

Action

Maurice Sendak's Brundibar set

New Victory Theater (photo: Nan Melville/NYT)

Action

Daniel Barenboim, West-Eastern Divan Orchestra

Palestinian-Israeli musical ensemble (photo: Kerstin Joensson/AP)

Action

Great Day on Eldrige Street

N.Y.'s klezmer greats celebrate shul rededication (photo: Leo Sorel)

Action

Joint Appeal for Peace

(Avi Katz)

Joint Appeal for Peace

Ketubah, Ancona, Italy (1772)

(Jewish Theological Seminary library)

Ancona ketubah

Archive for September, 2004

Värttinä: The Village Awaits the New Moon

Thursday, September 30th, 2004
Vart_portrait

Vartinna (2000) (credit: Vartinna.com)

After meeting as members of a Finnish youth group and then studying at Helsinki’s Sibelius Academy folk music department, these women came together as Värttinä in the 1980s.  While they championed and revived "the unique polyphonic music of the Finno-Ugric people of Karelia, a region of eastern Finland extending into Russia" they also introduced contemporary influences by eschewing folk costumes and turning away from previoius notions that women should only sing a capella.Vart_seleniko

Their second record, Seleniko (1992) is a revelation presenting the extraordinary voices of strong women singing intricate, but robust folk melodies.  The song, Kyl Vuotti Uutta Kuuta hear it ("The Village Awaits the New Moon"), is a vocal tour de force.  A very rough and partial translation from the Vartinna site goes like this:

Vartinna_accordion

(credit: Ritmoartists.com)

The village waited for the new moon.
They said my brother would return
empty handed when he was off hunting.
They were wrong. The eagle caught
the duck.

It begins with a sole female voice singing the melody followed by a second voice repeating it, and then finally by the entire ensemble singing it together.  The effect is of a group of women "burning down the house" as David Byrne used to sing as if the human voice could become a sonic force of nature.

For further information, please visit the Värttinä official site and the Värttinä forum.

WARNING: This mp3 blog exists to spread the wonder and genius that is traditional music. It does NOT exist to enhance your private mp3 collection. So by all means come, listen, enjoy, then follow the links to buy the music. If you come, listen, download, then leave—you’re violating the spirit behind this blog and doing nothing to support the artists featured here. And if you link to my mp3 file at your own site, then you’re stealing my bandwidth and being pretty uncool. So please don’t do it.

Martha Stewart Works Off Sentence in West Virginia Coal Mine

Thursday, September 30th, 2004
Alderson federal prison

Martha Stewart’s new summer–er, prison camp dorm accomodations (credit: Federal Bureau of Prisons/Bloomberg News/NYT)

The Federal Bureau of Prisons announced today that Martha Stewart would begin serving her prison sentence at the Alderson Federal prison camp in Alderson, WV (Martha Stewart Assigned to Prison in West Virginia).

One of the reasons given for the assignment was the need for extra hands to work in the local coal mine. “We thought Martha had had enough of doilies and cake decoration and might like a change of scenery for this next act in her life,” said a prison official. “Our mines are pretty grim looking and we thought she might also help us spruce them up a bit so our prison campers don’t get too depressed working down there. All in all, we’re really looking forward to Martha’s coming. She should make things fun around here.”

S.E. Rogie: Palm Wine Poet of the Good Life

Thursday, September 30th, 2004

Rogie_1If I had to describe S.E. Rogie with a simple, pithy phrase I’d call him the "good time palm wine poet" (more on palm wine music here).  His music contains all the languor, gentleness and bonhommie of an afternoon spent drinking with friends and lovers at a local palm wine bar in his native Sierra Leone.  His guitar playing is simple, unadorned and yet deeply tuneful.  His voice is a warm, deep baritone that can creep into a tenor register.  The songs have a rollicking rhythm that carries the listener along like a gentle cresting wave.  His music is full of love and gracious living.  Just the kind of fellow you’d like to spend a long lazy Sunday afternoon with spinning tunes, telling stories and enjoying what life has to offer.'Dead Men Don't Smoke Marijuana'--buy it'

One of my great regrets in life is that I first discovered Rogie just before his death.  He had already completed a U.S. tour which was, alas, his last one.  But I did have an aural legacy that he left behind in the form of his last recording, the hilariously titled, Dead Men Don’t Smoke Marijuana.  It is a totally lovely, captivating record which provides a terrific introduction to his music.  Listen here to African Gospel

WARNING: This mp3 blog exists to spread the wonder and genius that is traditional music. It does NOT exist to enhance your private mp3 collection. So by all means come, listen, enjoy, then follow the links to buy the music. If you come, listen, download, then leave—you’re violating the spirit behind this blog and doing nothing to support the artists featured here. And if you link to my mp3 file at your own site, then you’re stealing my bandwidth and being pretty uncool. So please don’t do it.

Le Pichet: Seattle Best of Bistros

Wednesday, September 29th, 2004

Pichet_chefs
Le Pichet is simply put, the best French bistro in Seattle. Yes, I know it has stiff competition from Cafe Campagne and others. But James Drohman (formerly of Campagne) and Joanne Herron have created a masterful culinary establishment and we here in Seattle have the opportunity to partake of some of the finest bistro cooking you’ll find north of San Francisco.

Besides the extraordinary food, I just love the tone and atmosphere of the place. It’s calm and cozy, never rushed. The wait staff always treats you with good cheer. The only “problem” is that at 18 seats or so, it’s sometimes hard to get in. But now they’re open for lunch so you have a few extra opportunities to get in you didn’t have before.

The crying shame is that Seattle Zagat rates this place at a 23 I think. What an outrage! In my opinion, if you want to rate Rover‘s at 27 or 28, Le Pichet shouldn’t be very far behind. Yes, of course the two restaurants are attempting to do different versions of French food. But Le Pichet IS at a similar level in its particular category.
Pichet_food

At our last meal, we enjoyed walnut crusted calf’s liver on bed of lentils, hangar steak on bed of cauliflower doused in tomato goat cheese sauce and almond-cherry ice cream. It was all simply heavenly.

A pretty good review of Le Pichet can be found at Gayot.com and you may read Nancy Leson’s excellent review here. The images are from the same Pacific NW Magazine article.

Le Pichet
1933 First Avenue
Seattle
256-1499

Gilberto Gil: Poet of Brazil’s ‘Backlands’

Wednesday, September 29th, 2004
Gil_portrait

Gilberto Gil in concert (credit: Elmundo.es)

Gilberto Gil calls the songs on O Sol de Oslo (1998), ‘backlander music.” It is an interesting term. We’re used to thinking in terms of the back country as being some remote place where nothing much happens. The big cities are where everything important is supposed to happen. Here is where styles are defined and evaluated. Here’s where what’s hot and what’s not is decided. Every other place is in the margins.

Well, Gil turns that assumption on its head. He posits that ALL of Brazil’s great indigenous music comes from the back country. Without it, everything else remaining in Brazilian music would be a stale pop derivative. That’s why he’s devoted his life to promoting the music of Brazil’s poor, working class and ethnic minorities.Gil

Allmusic.com describes Tata Engenho Novo (hear) as a “Northeastern coco.” It is a furiously fast vocal track which races breathlessly from start to finish. Paula Maya, KBCS’ Brazilian music DJ, called it a collaboration in the Bahian native people’s musical style. When you listen to it, you’ll be in for a fun vocal romp!

Here is another excellent review of O Sol de Oslo.

WARNING: This mp3 blog exists to spread the wonder and genius that is traditional music. It does NOT exist to enhance your private mp3 collection. So by all means come, listen, enjoy, then follow the links to buy the music. If you come, listen, download, then leave—you’re violating the spirit behind this blog and doing nothing to support the artists featured here. And if you link to my mp3 file at your own site, then you’re stealing my bandwidth and being pretty uncool. So please don’t do it.

Create Category-Specific RSS Feeds for Typepad Blogs

Tuesday, September 28th, 2004

One of my blog categories is Folk & World Music. I’ve decided to turn it into an mp3 blog. In order to promote awareness of this project, I registered my blog feed with mp3blogs.org, an aggregator devoted to this field. But the problem was that I was now feeding every single post I created to mp3blogs.org and not just the ones devoted to music.

With Laura’s help from Six Apart, I created a category-specific feed that will only give mp3blogs.org my music posts. Here’s how you do it:

First, you need a Typepad Pro account allowing you to create advanced templates. Then, create a new index template dedicated to the category (you can also do this for multiple categories) for which you wish to have an RSS feed. Go to your advanced template screen and click “Create New Idex Template Set.” Then open your regular RSS feed template & copy the code into this new index template. Then customize it so that everywhere you see a [code lang="html"]< MTEntries>[/code] tag, you add in the category name.

For instance, if your category was called “Folk and world music,” then you would change the tag to look like:

[code lang="html"][/code]

This will list only information about entries in the specified category.

You may also wish to replace the <$MTBlogName$> tag with the category name, or add the category name after the tag, such as:

<$MTBlogName$>: Folk and world music

This will be the title that people see when they view the feed in their newsreader or aggregator.

Once you’re all done customizing the template, save your changes then publish the template.

WARNING: It is VERY important that you list your category precisely as it is listed in your blog. This procedure is case sensitive and a single mistake may cause a failure to publish your new template.

Kepa Junkera: Basque Reed Wonder

Monday, September 27th, 2004
Kepa Junkera

Kepa Junkera (credit: Attambur.com)

Kepa Junkera is, simply put, one of the the best, if not THE best reed players in the world. He hails from Basque country and is the master of the diatonic accordion known as a trikitixa or “bellows from Hell.” Kepa has such a deft, athletic and riotous touch on the keyboard that he turns an otherwise devilish instrument into a heavenly one.

When he was a very young boy he first took to the trikitixa and mastered it while most other children are stumbling through learning proper fingerings. Still at a young age, he approached the Basque folk band, Oskorri, which took him under its wing. He has performed on all of their records and many of their tours.

Another stellar quality of Kepa’s is the desire to transcend national boundaries and musical genres. In 1992, he formed Trans-Europe Diatonic, an accordion trio project with John Kirkpatrick and Riccardo Tesi. Their goal was to create a musical forum that would encourage interplay between players from different parts of Europe. They hoped in this collaboration to inspire a musical climate ripe for blending their often contrasting styles.
'Bilbao 00:00hr'--buy it

In Bilbao 00:00Hr (1999), Kepa created a true masterpiece of the accordion genre. While firmly rooted in the Basque musical tradition, he also embraces other folk music traditions represented by Bela Fleck, Paddy Moloney of the Chieftains, Fain Dueñas of Radio Tarifa, and Carlos Beciero of La Musgana, who also perform on the album. Each song radiates a different and powerful emotional timbre. Some songs are profoundly romantic with lush melodies. Others are althletic exercises in the flight of fingers across a keyboard. None of these songs is less than stellar. I’ve chosen the wonderful, Gaztelugatxeko Martxa to represent this collection, though I could’ve featured any one and not gone wrong. This song is an irrepressible romp through all the capabilities of his instrument. It is filled with joy and life and propelled along by the boisterous accompaniment of Liam O’Flynn’s uillean pipes. It simply takes your breath away and makes your feet want to leave the ground.

Vist the English-language Kepa Junkera official site.

WARNING: This mp3 blog exists to spread the wonder and genius that is traditional music. It does NOT exist to enhance your private mp3 collection. So by all means come, listen, enjoy, then follow the links to buy the music. If you come, listen, download, then leave—you’re violating the spirit behind this blog and doing nothing to support the artists featured here. And if you link to my mp3 file at your own site, then you’re stealing my bandwidth and being pretty uncool. So please don’t do it.

The Iraq Dead: A Mother Left Behind

Sunday, September 26th, 2004
Sue Niederer

Sue Neiderer (credit: Dith Pran/NYT)

Sue Niederer is just another Jewish mother in suburban New Jersey. But that’s where she parts company with all the rest. You see, her son, Seth Dvorin, 24, was killed by a roadside bomb in Iraq in February. Sue never supported the war and didn’t want Seth to go. But he felt duty bound to honor the commitments he made not only to the Army, but to his comrades.

Chris Hedges has written a compelling acount of the anger, grief and surprising political voice of Sue Niederer in Mourning the Warrior, and Questioning the War. When Ms. Niederer heard that Laura Bush was to speak nearby, she dutifully stopped by the local Republican campaign headquarters and secured a ticket. Let’s let her tell the next portion of the tale:

“I wanted to confront Mrs. Bush because she, too, is a mother,” she said at the small office here where she works as a real estate agent. “I thought she might understand the pain we mothers are undergoing. I thought she might be able to hear me.”
Dvorin_portrait

Lt. Seth Dvorin KIA (credit: East Brunswick Sentinel)

As Mrs. Bush was lauding her husband’s war on terror, Mrs. Niederer slipped on the shirt, which bore a photo of the lieutenant and the words “President Bush killed my son.” Standing at the back of the crowd, she interrupted Mrs. Bush, shouting that if the war was warranted, “Why don’t your children serve?”

“She did not answer,” Mrs. Niederer said. “She looked stunned.”

Suddenly, Mrs. Niederer recalled, she was surrounded by “men in dark suits with little earpieces” as well as angry Bush supporters. She was escorted from the hall, and as she tried to speak with reporters outside, she was arrested, handcuffed, taken to the Hamilton police station and charged with trespassing. She was released soon afterward, and prosecutors later dropped the charge.

Imagine, a woman whose son died in George Bush’s war gets ARRESTED for interrupting Laura Bush! Removing her from the hall I could understand. But arresting her?? Either the local police or Republican operatives must’ve completely lost their minds.

Dvorin_funeral

Dvorin family at Seth’s funeral (credit: Barefoot & Naked)

Niederer’s grief at losing her son has been infinitely compounded by either the Army’s callousness or a deliberate attempt to conceal information from her about the manner of Seth’s death. Chris Hedges continues the story:

After he was killed, she said, she learned that he had been ordered in October to lead a platoon to search for homemade bombs left on roadsides. Lieutenant Dvorin was wounded in an explosion in November. When he returned on home leave in January, three weeks before his death, he wept in the arms of his stepfather, telling him he was afraid and did not want to return. He said nothing to his mother until they were at the airport in Baltimore.

“I asked him if he wanted to go back,” she said. “Seth said no. He told me we were losing the war. He told me we could not win a war when we did not know who our enemies were. He told me it was a waste, but he also told me he had to return to get the 18 men in his platoon home safely.”

Soon after he died, Mrs. Niederer said, she and her son’s widow ran into a wall of military bureaucracy. As an observant Jew, Mrs. Niederer asked that her son not be embalmed or undergo an autopsy, requests that she said were ignored. She asked to go to Dover Air Force Base to meet her son’s coffin, but says she was told that was against the rules. And she says she has tried reaching members of her son’s platoon to learn the circumstances of his death, especially after the Army told her he had been killed trying to defuse a bomb.

“He had no training in bomb detection or in defusing bombs,” she said. “He did not have proper equipment. When I complained in public about the inadequate training and lack of equipment, the Army changed the story. They told me he was not trying to defuse a bomb. I still don’t know how he died. They won’t let me speak to or contact members of his platoon.”

After reading Friendly Fire, a gripping non-fiction account of the deaths of U.S. troops in Vietnam at the hands of friendly fire and the military’s dogged attempt to conceal the truth, one can only wonder why the Army is not giving this woman the information she needs, and indeed deserves. For shame, Army.

Richard Dvorin too is involved in the struggle to make sense out of his son’s death. He wrote a heart-rending letter to President Bush which, you guessed it, our President never answered. Some touching condolence notes appear at Seth Dvorin’s portion of the FallenHeroesMemorial.com site.