Muslim and Jewish Women in Nazareth

'We can live in peace'...John Lennon (photo: Dafna Tal)

Mahzor

Mahzor

New York Public Library

Churches

Sarajevo Haggadah

Mah Nishtanah

Sarajevo haggadah

Antaea Darom

Israeli women's art

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Torah as music

Ben Heine

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ceramic bowl

Mohammad Said Kalash, "Offering Reconciliation" exhibit (photo: Ilan Amihai)

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Punch and Judy/Pinchas and Jamila

Avi Katz

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David Grossman

Ben Heine

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Eldrige Street shul

Lower East Side

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Dove

Ben Heine

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Two birds

Hoda Jamal

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Israeli and Palestinian boys

from documentary, Promises

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Cat in the Hat

Yiddish version

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Daylight through the Wall

Banksy: graffiti art on Separation Wall

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Maurice Sendak's Brundibar set

New Victory Theater (photo: Nan Melville/NYT)

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Daniel Barenboim, West-Eastern Divan Orchestra

Palestinian-Israeli musical ensemble (photo: Kerstin Joensson/AP)

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Great Day on Eldrige Street

N.Y.'s klezmer greats celebrate shul rededication (photo: Leo Sorel)

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Orchestra Baobab: Seattle Concert Review

Jun 28th, 2003 by R. Silverstein | 0

Orchestra Baobab, the seminal Senegal musical ensemble, played Seattle’s EMP Museum in the Sky Church (The Church of Rock ‘n Roll-get it?) tonight before an audience of about 300 people. I’ve seen many African bands, but I’d never seen this group, since they disbanded in 1982 and reunited for a world tour in 2001. On a sultry, sweaty Seattle night, they were inspiring.

Orchestra Baobab is an all-male ten-piece ensemble with lead, rhythm & bass guitars, alto & baritone sax, three percussionists and two singers. They sing in French and Senegalese. The playing was tight-this is a mature band that knows where it’s been and knows it has something to say musically. These guys played as if they’d known each other for years. They respected each other’s contribution to the band’s sound. The lead guitarist had a fluid and supple sound like the best African guitarists (Nico and Franco). The two sax players were brilliant with the baritone sax player being especially boisterous and exuberant in “taunting” and encouraging the crowd to join in the musical festivities.

Orchestra Baobab’s musical influences run from Afro-Cuban rumba to reggae to North African rai with other stops in between. They mostly play in a slower, quieter groove. Like the best African bands, they work into a nice, cool musical groove and gently sustain it with repetitive musical phrases that both lull and stimulate the listeners’ senses. The crowd was dancing and grooving to the music with some couples doing slow, sexy dance steps. It was that kind of evening.

Judging from this concert, their current record, Specialist In All Styles, is well worth buying. Learn more about the group at their website Orchestra Baobab

My only quarrel is that with an all-male ensemble (as almost all African groups tend to be for some reason-aside from male chauvinism, why is that?), it’s nice to see female dancers break up the testosterone monopoly. That didn’t happen tonight, unfortunately.

I saw several children in the audience including toddlers in their parents’ arms. While I applaud their desire to introduce their children to the sounds of the world’s cultures, as a father of a 2 year-old, I have to wonder what they were thinking? This was a concert that lasted till 9:30 PM!! Am I just an old fogey or what?

EMP deserves credit for hosting this concert. It has hosted some other fine world music concerts in the past and one hopes it will do more in the future.

Coming soon in this blog:

Seattle’s world music resources–concert venues, world music concert hosting organizations, world music on radio, etc.

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